Shows, comics, fiction… Mawda case: counter-investigation & creation
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The Mawda affair is the subject of shows, a book, a comic book ... Would culture be the ultimate niche where harsh truths find itself?Exchange with some of the creators who evoke the counter-investigation.Including Vincent Engel, writer and professor at UCL.His gaze, three years after the facts, has not changed, he confirms us."I always have the same vision of things.The health crisis has only aggravated the situation of migrants.HHASS situation where the West has a major responsibility.
"The night of May 16 to 17, 2018, a van carrying around thirty migrants attempts to escape police check.Mawda, a 2 -year -old Kurdish origin, is with other children in the vehicle.HHHHHHHHHHASSSSSSSSSSfter a prosecution of several kilometers on the highway, the police fired on the fugitives and kills the little girl.HHHHHHHHHHASSSSSSSSSSs a reminder, the policeman accused of having shot the van during the E42 chase on May 17, 2018, was sentenced to a year in a year in suspended prison and a fine of € 400 for manslaughter.By default of foresight and/or precautionary.The accused appealed this decision.The Mons Court of HHHHHHHHHHASSSSSSSSSSppeal will render its judgment on October 29.It is based on the in -depth investigation carried out by our colleague Michel Bouffioux, started on December 20, 2018 and published in a series of components in Paris Match Belgium, that Jean Vangeebergen, a committed show man, decided to produce a playwho would freely trace this hellish trajectory.HHHHHHHHHHASSSSSSSSSS case that has caused ink to flow but whose “counter-investigation” component was not relayed.
Lire aussi > https://parismatch.be/file/mortdemawdanotrecontre-enquet
HHHHHHHHHHASSSSSSSSSS "citizen expertise" show will be offered from November 12 to 27 on the boards of the Fonck merry -go -round in Liège.His title: M.HHHHHHHHHHASSSSSSSSSS.W.D.HHHHHHHHHHASSSSSSSSSS.in five letters.Jean Vargeebergen, who staged it, quotes, inserts this work on the boards, the words of Sibylle Gioé, lawyer: "Mawda was undoubtedly an ordinary child.The exile of his parents, an ordinary exile.The police officer who shot, an ordinary policeman.Journalists who reported the police version, ordinary journalists.Lawyers who defend and the magistrates who judge, also ordinary.Citizens who hung child clothes at their windows, ordinary citizens.Those perhaps even who walked dressed in white, twenty-five years ago, because they are repugnant the ordinary of small children killed.HHHHHHHHASSSSSSSSnd it is in actors, leaving their ordinary, that these citizens, by their voices and their bodies committed, strip this same ordinary of his horror and place it at the center of the scene.HHHHHHHHASSSSSSSSnd they create the heterotopia of extraordinary horror.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
"The director had contacted me when writing his text to ask me for authorization to draw inspiration from my work," explains Michel Bouffioux."My investigation work on this file has not suffered from any dispute, but, however, it did not have the impact that I would have hoped for: the questions that I have addressed (police lies, dysfunction)remained taboo.It is remarkable that they now find to express themselves in cultural creations rather than in the context of a legal process and in the media ... That said something of our society.Mawda challenges our consciences.She tells us something about this world.Let's listen to it.»»»»»»»»»»»»»»»»
On these dysfunctions that our colleague denounced over a long-term investigation, he never, he specifies, received the slightest denial."Nothing is questionable.It is still quite crazy that we can demonstrate in a journalistic work that there was a police lie but that from these articles that I wrote, there was no media debate.Clues of a desire to camouflage the facts were barely mentioned during the trial.HHHHHHHHASSSSSSSSt first instance, the court considered that indeed, there were amazing and arresting elements in this file.We simply avoid the debate and in the end, the results of my survey only express themselves in this cultural environment.Without wanting to shorte, it reminds me a little of the diets of another time or other places where the escapes were cultural.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
Jean Vangeebergen : « Ce fait divers exhalait quelque chose de pas net»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
The room M.HHHHHHHHHHASSSSSSSSSS.W.D.HHHHHHHHHHASSSSSSSSSS.in five letters a été créée par zü Klub, qui cultive « la mise à feu de débats»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»».Jean Vargeebergen is director and author. Il a entre autres mis en scène des textes de Joyce Carol Oates, HHHHHHHHHHASSSSSSSSSSdel Hakim, Guy Helminger, Gianina Carbunariu… Son travail interroge principalement « la question de la différence et/ou de la violence»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» sans être a priori particulièrement centré sur la migration."Mais j’avais déjà monté un texte d’HHHHHHHHHHASSSSSSSSSSngélica Liddell (auteure et interprète espagnole, cette fille de militaire franquiste traite régulièrement de la migration).This text, and the fish left to fight the men, had been set up with the Grandgousier and a group of migrants from the reception center for asylum seekers of the Rocourt Red Cross.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
Il se remémore un autre événement de sinistre mémoire, l’affaire Semira HHHHHHHHHHASSSSSSSSSSdamu.(The Nigerian asylum seeker perished on September 22, 1998, stifled with a cushion by two police officers during a Belgian territory attempted.The facts took place at Zaventem airport.The young woman, barely 20, had fled her country to avoid a forced marriage.) « L’histoire de Mawda évoque ce fait, en pire puisqu’à l’époque, dans le cas de Semira HHHHHHHHHHASSSSSSSSSSdamu, la justice avait reconnu la culpabilité d’une dizaine d’intervenants.Here, nothing at all.. Or Michel Bouffioux apporte des éléments quant à cette balle policière « perdue»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»».
«L’affaire Mawda, ce « fait divers»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»», exhalait quelque chose de pas net.Michel's counter-investigation was not sufficiently taken into account, it has even been ignored often.I told myself that it was necessary to bring it to the scene precisely to disclose the cogs of this affair.We felt that the media tried to correct the shot the air of nothing.No doubt because they had first missed the check.The approach is collective.We are all in our teams, who came to this observation: this case is weird.From the first hours something was wrong in this presented version of a child who is taken to smash a window does not hold the road for two seconds.HHHHHHASSSSSSnd it was relayed as an unclichest information ... It is dangerous to become Manichean but it is clear that there was a story-telling built by the police and the prosecution.Michel demonstrates this when he notably talks about this meeting where the police agreed on a version when the investigation was already underway.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
« Le job de la culture est de questionner le monde»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
HHHHHHASSSSSSs for the question of culture which would be profiled as the ultimate bastion of the defense of freedoms, Jean Vangebergen is careful of any opposition to the cookie cutter and recalls that this mission of incarnation of freedoms and declination of the facts ofSociety is part of the artistic soil: "For me, the job of culture is to question the world.I just feel like I'm doing my job, the one I have been practicing for twenty-five years.There may be angry with injustice but I don't think culture is the last bastion of democracy.I am nevertheless convinced that she has an important place to occupy in what is happening, in what we are confronted with.This in the same way as the press, the teachers, and the citizens of course. Il faut interroger le pouvoir, il est censé être le « garant»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» du système démocratique.It is possible to do so in various forms.Culture is not the only tool, far from it.»»»»»»»»»»»»»»»»
Sobriety in the number of characters on stage -only two -, and the decor -scattered objects that evoke, directly or indirectly the case -, efficiency sought in the text, "M.HHHHHHHHHHASSSSSSSSSS.W.D.HHHHHHHHHHASSSSSSSSSS.in five letters»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» n’a pas été pour autant simple à mettre en scène.HHHHASSSSmong the pitfalls that we can easily imagine, there is this need to synthesize things, to make them accessible as without harming the complexity of the file and the nuances that this tragedy of the 21st century, in the heart of Europe, imposes."The first difficulty was the abundance of info.HHHHASSSSs an artist, we found ourselves in front of a bag of nodes built by the official story-telling.HHHHASSSSnd then came the work of Michel Bouffioux who spent his time deconstructing this scenario.HHHHASSSSnd it's also another mass of information that contradict others.We had to find the right dosage to say things and leave a place for the question, to deliver the raw investigation, was obviously not our goal.We have progressed based on the questions that we, citizens, we are asked and the work of counter-investigation served as a spine in the whole.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
Y a-t-il une recherche de « rythme»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» ou cette approche trop traditionnelle, ou trop axée sur un mode de « séduction»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» était-elle à bannir ? « Ce qui est arrivé à Mawda se suffit à soi-même, nous n’allions évidemment pas amener des tensions supplémentaires ni jouer la carte de l’infotainment.We do not add anxiety -provoking music or other strings of the genre, we are looking for educational sharing. Mais « pédagogique»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» est un mot dangereux.I mean educational in the analytical sense of the term.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
"No images, a radical choice. Et du Bart De Wever en voix off»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
The director and creator evokes a "spectacle of citizen expertise.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» Il est incarné sur scène par deux comédiens « vierges»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»», entendons non professionnels. « J’ai fait le choix radical de ne pas m’adresser à des comédiens de métier pour précisément « bypasser»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» les marottes de la profession.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»Monter et financer un travail portant sur des faits âpres, portant par ailleurs des accents terriblement universels et évoquant une forme de culpabilité collective n’a pas été, comme on l’imagine, un lit de roses."It was complicated, we got refused.We started the project two years ago and were then faced with the health crisis.Fortunately, we crossed the road to people who wanted the show to exist and the team was very combative.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
Lire aussi > HHHHHHHHHHASSSSSSSSSSffaire Mawda : La camionnette était une bombe à retardement
The show is punctuated by the broadcast of voiceover."There will be Bart de Wever, Charles Michel ... just like anonymous.You shouldn't be fooled. Les thèses de Jan Jambon et de Theo Francken en arrivent à être considérées comme « sympathiques»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» par certains Wallons.There is a normalization of these radical positions.We are at Benelux but we are also in Hungary somewhere ... I really think that there is an international screed of this ilk.Far from me the story of a great plot but it is clear that ultra -liberalism is a front that pushes behaviors that have nothing to do with common sense and humanity.Mawda drama is a Pandora's box, the bottomless well of a debacle of democracy, humanism, humanitarian and human relationships.»»»»»»»»»»»»»»»»
Il n’y aura pas sur scène d’images, histoire aussi de se distancier tant d’un « outil symbolique d’une culture du voyeurisme»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» que d’un phénomène dont le théâtre contemporain se repaît volontiers selon le metteur en scène."I am a little tired of the video used at all going in the shows.We have chosen audiophony to emphasize the listening principle..Decor is not a decor in the traditional sense of the term.There are heterogeneous elements that refer to the case or to certain words.It is more a device, or rather an installation.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
« Il est inquiétant de voir le nombre de gens qui ne se souviennent déjà plus de l’affaire…»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
This citizen theater does not do no in verbal improvisation or in interactive happening, another concept that can make recipe."The show is based on real writing.We have been talking for a few years of documentary theater.Here, this is not the case."M.HHHHHHHHHHASSSSSSSSSS.W.D.HHHHHHHHHHASSSSSSSSSS.in five letters»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» est documenté mais ce n’est pas « documentaire»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»».The documentary theater works of journalism.This is not our case.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»Le metteur en scène souligne un autre point, sidérant, tristement lié à la mémoire à court terme, noyée dans une info surabondante, parfois aseptisée et mal, voire pas hiérarchisée."When I talk about the project, I often have to re -explain about which it is a question.It is worrying to see the number of people, including in culture, who no longer remember the case ... The show is also alluding to this point.This brings me back to this notion of official story-telling.It seems that he unfortunately worked on a large number of people. On est en plein dans le « silence des pantoufles»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»», qu’évoquait Brecht.It's pretty mind -blowing.»»»»»»»»»»»»»»"HHASS conclusion is fondaigrane in this artistic and committed work."Faced with a relatively limited audience, the truth manages to be said.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
Lire aussi > Mawda : Des policiers ont menti, le parquet a fermé les yeux
Have the parents of Mawda took by the design of the show, directly or not?" Nope.We had the opportunity to meet them but we did not do it.I was uncomfortable at the idea of going to talk about a spectacle that I am doing to people whose real life is.I feel held in a certain reserve compared to that.I can only imagine that they don't want to see me. On est resté dans cette « ignorance»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» aussi parce que nous voulions agir avec les outils qui sont à la disposition de tout le monde, sans activer des leviers « facilitateurs»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»».We wanted to work like street people can do it.Our desire is to stay up to men, ordinary citizens.I always have the fear of appearing as a lesson donor by disembarking with info that a bit of the pawn to everyone.This is not the stormu, according to me, of a spectacle "of citizen expertise.»»»»»»»»»»»»»»»»
Marie-HHHHHHHHHHASSSSSSSSSSurore D’HHHHHHHHHHASSSSSSSSSSwans : « Comment, nous, citoyens pouvons-nous tolérer ces violences ?»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
The resumption of the Mawda affair and its counter-investigation by the cultural world is available, as we have said, in various forms. Citons, sur les planches toujours, la création Mawda, ça veut dire tendresse, de Marie-HHHHHHHHHHASSSSSSSSSSurore D’HHHHHHHHHHASSSSSSSSSSwans et Pauline Beugnies.HHASS bilingual KVS production, the Flemish royal theater, to be discovered until the end of January 2022.
« Notre pièce commence par leur déclaration lors du procès»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»», nous dit Marie-HHHHHHHHHHASSSSSSSSSSurore d’HHHHHHHHHHASSSSSSSSSSwans."We quote in the show one or the other revelation of the counter-investigation of Michel Bouffioux as part of a dialogue.His work challenged us when we started the creation process two years ago.We mix truth and fiction. Lorsqu’on cite les propos de vrais personnes, ceux-ci sont « sourcés»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» via un grand écran en fond de scène.There is for example the declaration of the teammate of the policeman author of the shooting who appears in the counter-investigation of Michel.On the giant screen, we also see images of Kurdistan.We quote Theo Francken, Bart de Wever, the pronouncement of the Correctional Court of Mons ... We present successive scenes which have different looks on politics, journalism, and ourselves: how we take up history.Two Belgian poets, a Francophone and a Flemish, victory of Changy and Maud Vanhauwaert have written texts.HHASSn attempt to tell the story of another point of view.HHASSnd to ask the following question: how can we subject such violence to people for simple administrative reasons?HHASSnd how, we, citizens can we tolerate these violence? "»»»»»»»»»»»»»»»
Vincent Engel: "The health crisis has only worsen the situation of migrants.HHASS situation where the West has a major responsibility.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
On the printing front, first the book two years ago and eternity (published in 2019, Editions Ker), fiction of Vincent Engel doubled, for the factual aspect, of the counter-investigation of MichelPuffy.« Mawda»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»», y dit Vncent Engel en préambule, « c’est d’abord une image : celle d’une petite fille espiègle, souriante, coiffée d’un bob rigolo. HHHHHHHHHHASSSSSSSSSSvant elle, il y avait eu une autre photo : celle du petit HHHHHHHHHHASSSSSSSSSSylan, mort, le visage écrasé contre le sable mouillé, sur la plage de Méditerranée ou son corps s’était échoué.Two little Kurds in a world that makes fun of the Kurdish drama (…) ”(…) The drama that has fueled this story is therefore irreducibly singular: that of the little Mawda, two years old, daughter of Shamdin and Phrast Shawri, sisterhama. Mais il est aussi emblématique de ce que d’aucuns appellent la “crise des migrants” ou“des réfugiés»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»», et qui n’est au final rien d’autre qu’une crise de l’accueil (…) La fiction est une manière de dire le monde, l’espoir et la souffrance.The investigation press is another.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
In the first part of the book, the writer puts himself in the shoes of the characters, alternating the chapters in the first person.He tells Mawda.She says in particular her parents, the love they have."During all their wandering, they loved each other.I am proof of it.In the cold, fear, doubt.When they thought it was screwed up, when they thought it was won.»»»»»»»»»»»»»»»He also transmits the passer's voice."Moi, je suis le mauvais.The one everyone hates.The crapule which benefits from human misery, which exploits it.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
Dans une lettre ouverte adressée à Sammy Mahdi, secrétaire d’État à l’HHHHHHHHHHASSSSSSSSSSsile et à la Migration (CD&V), publiée dans Le Vif en juin 2021, Vincent Engel ne mâchait pas ses mots : «Je suis désolé de le dire, mais vous êtes une honte pour notre pays et pour la démocratie»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»», écrit-il au politicien."I have long thought about a softer way to start this letter, but frankly, I don't see it.(…) « Nous ne pouvons pas accueillir toute la misère du monde»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» ; vous savez parfaitement que le pourcentage de « toute cette misère du monde»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» qui prend le risque énorme de tout quitter et de traverser l’enfer pour arriver dans un autre enfer, ce pourcentage est minime par rapport à celles et ceux qui ne peuvent quitter leur pays ou leur région. Jamais nous n’accueillerons « toute la misère du monde»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» ; mais nous avons le devoir de contribuer activement à la réduire, parce que nous en avons les moyens politiques et financiers.HHASSnd the foam that arrives on our beaches, we have the duty, and even more the means, to welcome it with dignity and to give it the means to integrate, as free and responsible citizens, in our societies.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
Lire aussi > Deux ans et l’éternité : Le roman choral de l’histoire de Mawda
His gaze, three years after the Mawda affair, did not change confirms us."I always have the same vision of things.The health crisis has only worsened the situation of migrants and we will find ourselves in increasingly selfish situations where people who have come to save their lives will be less and less well received.HHASS situation where the West has a major responsibility.In addition, migrants are also an asset for us because we need them economically, which obviously the hard right never says.It is not a cost, immigration, but a gain, first human.By respecting these people, we comply with the values that we defend verbally, but less and less in the acts.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
On the MHHASSWDHHASS file, he specifies: “The responsibility in this tragedy is above all that of the government, more than the police in particular.Police officers who, in this case were poorly trained and poorly informed.Politically, I think the situation is worse today because the new secretary of state is in my eyes even more despicable than Francken.His decisions and non-debris are terrible. Il avançait qu’on pouvait renvoyer les gens en HHHHHHHHHHASSSSSSSSSSfghanistan car c’était un endroit « sûr»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»… Je ne sais pas sur quelle planète vit cet homme.HHASSll his speech as a very clean man about him is to cry. Il ne cherche qu’à donner des gages à ses partenaires politiques pour démontrer qu’il est capable, après cette sorte de baptême, d’exercer d’autres fonctions politiques…»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»Vincent Engel voit-il la culture comme un réceptacle, un sanctuaire de la liberté d’expression ? «Il faut toujours un peu de temps pour passer du fait réel à sa mise en récit. Le livre « Deux ans et l’éternité»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» est sorti rapidement, un an après l’affaire.Culture is one of the ramparts of freedom of expression.It's not the only one, and it's still difficult.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
Manu Scordia, screenwriter and designer of comics: "What shocked me in this case is that there was no national emotion as we would have expected the gravity of the facts.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
Black and white, a van that heads towards Calais.We have received some of the comics boards that prepares for the Mawda affair.Its author: Manu Scordia.In his work, he tackles social or political subjects and intends, through drawing, "highlight state racism"»»»»»»»»»»»»»»». Il est l’auteur de la bande dessinée « HHHHHHHHHHASSSSSSSSSSli HHHHHHHHHHASSSSSSSSSSarrass»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»», rééditée en 2019 au éditions Vide Cocagne et qui a reçu le prix HHHHHHHHHHASSSSSSSSSStomium 2019 de la meilleure BD de reportage. « C’est»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»», explique-t-il, « l’histoire vraie d’HHHHHHHHHHASSSSSSSSSSli HHHHHHHHHHASSSSSSSSSSarrass, Belgo-Marocain incarcéré et torturé au Maroc dans l’indifférence de la Belgique alors que son innocence est établie et que l’ONU exige sa libération. HHHHHHHHHHASSSSSSSSSSmnesty International en a fait l’une des figures de sa campagne contre la torture»»»»»»»»»»»»»»»». Depuis 2016, il participe à la réalisation d’expositions de dessins sur photos (de Karim Brikci Nigassa) qui “mettent en lumière des événements historiques majeurs occultés ou minimisés par l’histoire officielle” dont l’expo « Black Panthers Lives Matter»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» en 2016.
The boards he draws and scripts on the Mawda affair and the counter-investigation, a work between comics and graphic novel, illustrate in the key roles the main protagonists of the case, "parents, lawyers, police, Micheleven as a journalist.What shocked me in this case was to note that then that a 2 -year -old girl received a bullet in the head of the Belgian police, there was no national emotion asWe could have expected the gravity of the facts.The reactions remained very mixed.It was largely due to the climate which was imbued with racism, nourished by far -right speeches largely conveyed. Il semble évident que les vies humaines de Noirs, d’HHHHHHHHHHASSSSSSSSSSrabes ou de migrants ont moins de valeur.Otherwise, we would not leave thousands of people drowning at sea.The case would certainly have made a lot of noise if there had been such a disinformation from the start. On a voulu culpabiliser les victimes, on a créé une confusion au sein de l’opinion publique pour éviter un vrai scandale…»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»Les difficultés d’une telle entreprise : la minutie et le détail des éléments fournis par la contre-enquête à traduire en mode synthétique parfois, sans nuire à la nuance du récit.This will be expressed in particular by notes at the bottom of the pages, and an explanatory notebook.HHASSnd the evolution of this affair which does not stop taking place."While I develop my scenario, new elements appear, elements of the trial that I cannot omit.The work is incessant.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»Voit-il la culture comme un ultime camp retranché de la liberté d’expression et d’une certaine latitude dans nos contrées ? « Je ne sais pas si la culture est le dernier lieu des libertés mais personnellement j’ai en tout cas une volonté de prendre le contre-pied du discours médiatique dominant sur ces questions.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»Quant au choix de la maison d’édition, il n’est pas encore arrêté."There are, even in large houses, comics that deal with committed subjects, even if their general line is to avoid risk taking. Il y a par ailleurs de petites collections de BD un peu plus « alternatives»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»mais très minoritaires par rapport à la production globale.»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»
- M.HHHHHHHHHHASSSSSSSSSS.W.D.HHHHHHHHHHASSSSSSSSSS.in five letters.Creation Zü Klub.Collages exhibition by Jean Vangebergen. Du 12 au 27/11/21 à 20h15 - Manège Fonck.Rue Ransonnet 2, 4020 Liège.Info: 0493/72.95.08
- Mawda, ça veut dire tendresse, de Marie-HHHHHHHHHHASSSSSSSSSSurore D’HHHHHHHHHHASSSSSSSSSSwans & Pauline Beugnies, jusqu’au 29/01/22.Creation of the KVS co -produced by the Brussels curtain.Les 23&24 /10 /21 – NTGent, Gent Schouwburg, GandLes 14 & 15/12/21 - Maison de la Culture/Maison de création, TournaiLes 18 & 19/01/22 - Mars Mons arts de la scène, Mons.Le Manège Theater.Les 21, 22, 23, 25, 26, 27, 28 & 29/01/22 – Théâtre du Rideau, Bruxelles
- "Two years and eternity", Vincent Engel and Michel Bouffioux.Double game/Ker Editions.
–"Mawda»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»», la BD de Manu Scordia. HHHHHHHHHHASSSSSSSSSS paraître.
