Small Bulletin Lyon - Cinema Lyon: Critique of the film Blub Blub et Bla bla: "Blue" by Keith Scholey, Alastair Fothergill (Éu) by Vincent Raymond

In the wake of the great dolphins, through the seas and the oceans a liquid environment of immeasurable value, populated by an extraordinary fauna of diversity and threats;where beauty disputes it with fragility.

Formerly launched by Cousteau (and taken since then, in particular by Jacques Perrin), Blue's message is clear as rock water: marine fauna deserves to be protected, it is a question of survival for the planetary ecosystem.And this new production disnections The documentary and environment division of the Californian studio has to pass it from conventional weapons: to find endearing protagonists to arouse empathy and offer the most spectacular shots possible.

If thanks to the progress of the technique, the images are indeed of a stretching chromatic dive, the characters chosen as a common thread, the dolphins, remain trapped in a slightly outdated anthropomorphism, supported by a narration a narrationLittle invasive Sorry Cécile de France.The naked image is self-sufficient.

Especially since the film has enough twists or secondary characters to relaunch interest.Like the world of silence, Blue owns his jojo Le Mérou, that is to say a kind of mascot whose adventures we follow episodically.Here, the splendid multicolored squill has everything to delight esthetes, and the hypnotizing cuttlefish to populate some nightmares…